Style 9, the Broadside. Round 2

Round 1 passed whole, the portrait dropped. This is the set: the six jobs on the broadside, then three treatments. The construction does not change between them. What changes is the ink, the stock, which faces the compositor reaches for, and how many lines the headline takes. The thank-you carries Dear Alyssa in the book face above the stack; the holiday runs reversed. The reassurance is the long one, four lines and a long paragraph, and it holds.

What to rule on. Pass or note each by name. The two open questions from Round 1 are answered here side by side: BS-quiet sets the last line in the book face instead of the band, and BS-fair and BS-invite carry the fair-poster faces against the wood-type sheets. Say which way, or both.

The six jobs

**BS-tip**The seller tip. Black on cream, the baseline from Round 1.

**BS-market**The market note. The numeral in red, letterspaced to the measure.

**BS-normal**The reassurance, four lines, navy ink. The long paragraph at 27.

**BS-invite**The invitation. The Tuscan on the first line, the key word in red.

**BS-thanks**The thank-you. Dear Alyssa in the book face above the stack, burgundy ink.

**BS-holiday**Thanksgiving, reversed: cream on burgundy.

Three treatments

**BS-fair**The fair-poster faces on kraft.

**BS-quiet**The quiet sheet: one face, one ink, the last line in the book face instead of a band.

**BS-reverse**The reassurance reversed, cream on navy.